Short Description of the existing system version: |
When ![]() |
we ![]() |
first ![]() |
thought ![]() |
about ![]() |
our ![]() |
project, ![]() |
we ![]() |
agreed ![]() |
that ![]() |
it ![]() |
has ![]() |
to ![]() |
be![]() |
something ![]() |
to ![]() |
make ![]() |
music ![]() |
which ![]() |
can ![]() |
be ![]() |
used ![]() |
by ![]() |
more ![]() |
than ![]() |
one![]() |
person at the same time. Note that it doesn't have to be more than ![]() |
one![]() |
instrument. |
The ![]() |
basic ![]() |
idea ![]() |
is ![]() |
one ![]() |
instrument ![]() |
that ![]() |
is ![]() |
used ![]() |
by ![]() |
2 ![]() |
people ![]() |
at ![]() |
once.![]() |
One person is making ![]() |
the music and the ![]() |
other one has something ![]() |
like![]() |
a real ![]() |
time ![]() |
interface for ![]() |
manipulating ![]() |
this ![]() |
music or ![]() |
sound ![]() |
directly. ![]() |
We![]() |
decided that ![]() |
both of ![]() |
them get ![]() |
some kind ![]() |
of a ![]() |
voice interface ![]() |
to ![]() |
control![]() |
the ![]() |
sound ![]() |
and ![]() |
the ![]() |
manipulation. ![]() |
One ![]() |
idea ![]() |
would ![]() |
be ![]() |
to ![]() |
use ![]() |
a![]() |
microphone ![]() |
and ![]() |
analyze ![]() |
the ![]() |
tone ![]() |
pitch. ![]() |
The ![]() |
person ![]() |
who ![]() |
creates ![]() |
the![]() |
music will ![]() |
somehow ![]() |
change ![]() |
the pitch ![]() |
and ![]() |
the ![]() |
beat of ![]() |
a ![]() |
given ![]() |
sample.![]() |
The ![]() |
manipulator ![]() |
will ![]() |
be ![]() |
able ![]() |
to ![]() |
select ![]() |
different ![]() |
types ![]() |
of ![]() |
effects ![]() |
which![]() |
can then manipulate. |
Our ![]() |
currenct ![]() |
system ![]() |
concept ![]() |
provides ![]() |
something ![]() |
which ![]() |
is ![]() |
functioning![]() |
like a live-sampler. One ![]() |
data source sends analogous ![]() |
data as input, ![]() |
in![]() |
our ![]() |
case ![]() |
an ![]() |
E-Guitar. ![]() |
This ![]() |
is ![]() |
the ![]() |
so ![]() |
called ![]() |
"Music ![]() |
creator",![]() |
responsable ![]() |
for ![]() |
pitch ![]() |
modificatino ![]() |
resp. ![]() |
beat ![]() |
generation. ![]() |
Another ![]() |
also![]() |
analogous data source offers also signals in its role being the so called![]() |
"Music ![]() |
manipulator", ![]() |
modifying ![]() |
the ![]() |
guitar ![]() |
signal-stream ![]() |
using ![]() |
voice![]() |
and ![]() |
microphone. ![]() |
Besides ![]() |
that ![]() |
Music ![]() |
Manipulator ![]() |
is ![]() |
accountable ![]() |
for![]() |
the ![]() |
selection ![]() |
of ![]() |
different ![]() |
type ![]() |
of ![]() |
effects ![]() |
and ![]() |
then ![]() |
manipulate ![]() |
(them).![]() |
INcoming ![]() |
analogous ![]() |
signal ![]() |
stream ![]() |
first ![]() |
is ![]() |
"transliterated" ![]() |
into ![]() |
MIDI-![]() |
data ![]() |
and ![]() |
several ![]() |
times ![]() |
filtered ![]() |
(to ![]() |
get ![]() |
rid ![]() |
of ![]() |
multiple ![]() |
notes ![]() |
as ![]() |
said![]() |
before). In effect wave data are played back. |